acf domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/dev_petachtikvamuseum/dev.petachtikvamuseum.com/wp-includes/functions.php on line 6131sogoacc domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/dev_petachtikvamuseum/dev.petachtikvamuseum.com/wp-includes/functions.php on line 6131\u05f4Every exhibition,\u05f4 noted art theorist Boris Groys, \u05f4tells a story, by directing the viewer through the exhibition in a particular order; the exhibition space is always a narrative space.\u05f4 This cluster of solo exhibitions, featuring six artists, sheds light on this narrative quality, presenting life stories, culture, and history, marked by an alternative reading of the physical and the metaphysical. The exhibition cluster \u05f4True Stories\u05f4 highlights the need to tell and structure a story through art and to unfold it inside art\u05f3s exhibition space; it addresses the ways in which story and art relate to the notions of authentic and fake, reality and fiction, illusion, consciousness, and that which lies beyond it. The different projects explore the narrativity innate to private and public\u2013collective situations, the transformation it undergoes in the transition between media, its glorification and disintegration, and the way it is experienced as total and critical.<\/p>\n\n\n\n
Karim Abu Shakra<\/a><\/strong>\u05f3s exhibition of (mainly self\u2013) portraits, curated by Neta Gal\u2013Azmon, presents a stormy narrative of pain bound with the inability to touch upon the self without acknowledging the other, his otherness in body and mind, and our responsibility towards him. Reality breaks forth through the ascetic, tormented figure of the portrait\u05f3s subject, attesting, as noted by David Hume, that \u05f4I never can catch myself at any time without a perception, and never can I observe any thing but the perception.\u05f4<\/p>\n\n\n\n Gabi Kricheli<\/a><\/strong> constructs a scenic\u2013sculptural space, in which the documentary and the fabricated blend. The objects and images signify paths of knowledge, research, and culture, while inquiring into the human legal system that is alternately constituted and deconstructed under the mastery of the work of art, marking the artist\u05f3s imaginary control over the events.<\/p>\n\n\n\n Raya Bruckenthal<\/a><\/strong>\u05f3s exhibition crumbles reality to establish other halls of consciousness in its place. It leads us between sites of compressed drawing and images of excess and glamor to ethereal worlds of sound, music, and language.Rather than structuring consciousness, it strives to show its metamorphoses, its constituent parts.<\/p>\n\n\n\n Naama Roth<\/a><\/strong> creates an alternative locus parallel to the memorial hall at Beit Yad LaBanim in the Museum Complex\u2014a place that explores the space of memory in the Israeli experience through an alternative, imaginary, fantastic, and elusive proposal, based on the works of art displayed in the commemoration hall.<\/p>\n\n\n\n Sharon Azagi<\/a><\/strong>, in her sound\u2013video installation, introduces a map of visual and sonic signs that outline our perception of the universe\u2014the planetary system with the sun at its center\u2014as a private and collective, scientific and religious experience, at once documentary and illusory.<\/p>\n\n\n\n The Second Floor Gallery at Beit Yad LaBanim features works extracted from a drawing diary by Reut Asimini<\/a><\/strong> and her daughter Mia. The diary begins in the early days of the COVID\u201319 pandemic, with an intensity that oscillates between ordinary and intimate everyday situations and moments of fantasy, anxiety, and nightmare.<\/p>\n\n\n\n